Lately I have been asking myself why I keep making things. It conflicts with my desire to reduce the number of my possessions…except earrings, maybe. I like earrings. And then there is this rush of visual pleasure seeing glass fuse to silver, so I make more things.
It’s the magpie in me, it’s strong and won’t be denied.
Today was my first full day making jewelry after a semester of teaching. The political climate in the USA can be felt everywhere, even in the classroom. Like a pinched nerve, it nags the spirit. In the studio, I felt like a castaway on an island surrounded by treasure, not really sure if I ever wanted to be rescued. I made two collages and a couple of necklaces. The work flowed out like a long sigh. It will be several weeks before I return to teaching. Until then I will enjoy being marooned.
I found my words again although the geo-political atmosphere continues to be contaminated. Lots of shit flinging, a behavior observed in monkeys and apes, and the insane. And it’s contagious. I’d best stay clear and take a watchful position.
It appears that the heart theme has displaced the spiral theme and enameling has displaced the knotting. The colors make me feel childlike and cheery. The urge to place a heart on a piece seems to be a calling to “take heart”. Loving the clarity of Czech glass beads, too. I feel aligned with the work.
I see the path back to painting. I miss painting like I miss a lost relationship; the effort to reestablish flow is sometimes too much. But the energy is rising.
There are new options on the horizon. I hope 2017 will not be as steeped in loss as 2016 has been for so many of us. Let’s take heart and look to the future.
When I make pieces, whether painting, jewelry or collage, the impulse comes from a reaction to the materials at hand…it’s what I see in front of me at the moment. That’s why the studio almost always looks like a bomb went off in it. The scatter of available materials lets me see, all at once, what is available to play with. When everything is tucked away neatly, inhibition sets in and I feel blocked.
Right now the studio is covered in stone beads and knotting cord.I feel an almost oppressive urge to knot stone beads (cool stone, self soothing, rhythmic movements) into long necklaces, with spiral focal pendants. The movement in the spiral symbolizes change, turbulence and transition which is something that’s pressing on my consciousness relentlessly. These are turbulent times. It’s windy out there.
The colors triggering the impulse are earthy, and subdued as if to counter the wild emotion I am witnessing in the political digital universe.
Bear with me. I suspect new themes will emerge after November 8.
Sometimes friends have more confidence in your abilities than you do yourself. The friend for whom I made this necklace showed me the dress she was wearing for her son’s wedding and said, something simple, with a pearl.
So I made something simple with a pearl. Interestingly, the process was not so simple and depended on a little good fortune (reticulation can be unpredictable). But it worked, and I stretched a little, and she liked it and I’m glad it’s done. Commissions always have a bit of edginess. *wipes sweat from brow*
I have been knotting beads on silk cord. It’s a tricky process. As the strand gets longer the potential for tangling increases. And then a knot is placed too far from the bead and has to be undone. I have found that with mounting frustration, slowing hand movements to tai chi speed helps. It also helps to spin a story about the strand you are knotting. Here are 108 beads in an order that suggests dawn, day, dusk and night. I thought about this progression at our house. The days are full of doing, followed by some relaxation before and after dinner, and then it’s time for bed. But at night it gets busy again because our little dude Remus believes that 3 am is a sporting good time to rouse us, his favorite playmates. Someone is always busy at our house.