I found my words again although the geo-political atmosphere continues to be contaminated. Lots of shit flinging, a behavior observed in monkeys and apes, and the insane. And it’s contagious. I’d best stay clear and take a watchful position.
It appears that the heart theme has displaced the spiral theme and enameling has displaced the knotting. The colors make me feel childlike and cheery. The urge to place a heart on a piece seems to be a calling to “take heart”. Loving the clarity of Czech glass beads, too. I feel aligned with the work.
I see the path back to painting. I miss painting like I miss a lost relationship; the effort to reestablish flow is sometimes too much. But the energy is rising.
There are new options on the horizon. I hope 2017 will not be as steeped in loss as 2016 has been for so many of us. Let’s take heart and look to the future.
When I make pieces, whether painting, jewelry or collage, the impulse comes from a reaction to the materials at hand…it’s what I see in front of me at the moment. That’s why the studio almost always looks like a bomb went off in it. The scatter of available materials lets me see, all at once, what is available to play with. When everything is tucked away neatly, inhibition sets in and I feel blocked.
Right now the studio is covered in stone beads and knotting cord.I feel an almost oppressive urge to knot stone beads (cool stone, self soothing, rhythmic movements) into long necklaces, with spiral focal pendants. The movement in the spiral symbolizes change, turbulence and transition which is something that’s pressing on my consciousness relentlessly. These are turbulent times. It’s windy out there.
The colors triggering the impulse are earthy, and subdued as if to counter the wild emotion I am witnessing in the political digital universe.
Bear with me. I suspect new themes will emerge after November 8.