I found my words again although the geo-political atmosphere continues to be contaminated. Lots of shit flinging, a behavior observed in monkeys and apes, and the insane. And it’s contagious. I’d best stay clear and take a watchful position.
It appears that the heart theme has displaced the spiral theme and enameling has displaced the knotting. The colors make me feel childlike and cheery. The urge to place a heart on a piece seems to be a calling to “take heart”. Loving the clarity of Czech glass beads, too. I feel aligned with the work.
I see the path back to painting. I miss painting like I miss a lost relationship; the effort to reestablish flow is sometimes too much. But the energy is rising.
There are new options on the horizon. I hope 2017 will not be as steeped in loss as 2016 has been for so many of us. Let’s take heart and look to the future.
When I make pieces, whether painting, jewelry or collage, the impulse comes from a reaction to the materials at hand…it’s what I see in front of me at the moment. That’s why the studio almost always looks like a bomb went off in it. The scatter of available materials lets me see, all at once, what is available to play with. When everything is tucked away neatly, inhibition sets in and I feel blocked.
Right now the studio is covered in stone beads and knotting cord.I feel an almost oppressive urge to knot stone beads (cool stone, self soothing, rhythmic movements) into long necklaces, with spiral focal pendants. The movement in the spiral symbolizes change, turbulence and transition which is something that’s pressing on my consciousness relentlessly. These are turbulent times. It’s windy out there.
The colors triggering the impulse are earthy, and subdued as if to counter the wild emotion I am witnessing in the political digital universe.
Bear with me. I suspect new themes will emerge after November 8.
This, and my heart beside—
This, and my heart, and all the fields—
And all the meadows wide—
Be sure you count—should I forget
Some one the sum could tell—
This, and my heart, and all the Bees
Which in the Clover dwell.
Jewelry is easier to sell than paintings. From a practical point of view, it’s clear: it’s easier to accommodate a small, affordable work than a large canvas. Someone once told me that people buy jewelry even in tough times because it can lift the spirit. I am curious about this power. How does it do that? Maybe because we like (need) eye food. Looking at, and holding jewelry is an intimate experience. A meditation of sorts, a right brain micro-holiday; and I think most of my supporters have magpie traits, too.
No matter where I am, my eye will find small pieces of metal, old nails, screws and mysterious bits of hardware that fall off cars and trucks. Their shape, color and texture form unnoticed tiny sculptures on the road and in parking lots. I always pick them up. In thrift stores an unknown force draws me to the counter where the old jewelry is kept. Smooth pebbles and shells on the beach keep me happily hunting for hours. The thought of going to a bead store is so thrilling, that I cannot think of anything else until I actually go and spend a long time handling all the strands, seriously straining the patience of anyone who has the misfortune of accompanying me on the trip. I am not alone in this, I am part of a tribe of stone and bead lovers who have been here on this earth collecting small treasure to adorn others and ourselves ever since our index fingers and thumbs met.
I am a discerning magpie however, only stone, glass and other natural materials will do. Light refracts differently on these materials. There is a beckoning glow about them. I know it when I see it.